Léon Augustin Lhermitte

Le repos des le moissonneurs - Barbizon Figurative Pastel by Leon Lhermitte

c.1885

Signed and titled pastel on paper figures in landscape circa 1990 by French post impressionist painter Hugues Claude Pissarro. The work depicts a view of the tramway on the Rue de No...

Signed figures in a landscape oil on canvas circa 1870 by French impressionist painter Victor Alfred Paul Vignon. The work depicts a woman carrying a basket with a young child beside her walking along a snowy path in a Fontainebleau Forest. This early work by Vignon was painted whilst he was under the tutelage of Camille Corot in the period between 1869 and 1870 . The work shows a mother and child in the forest at Fontainebleau in winter. Many painters in Vignon's circle such as Monet, Renoir, Sisley and Bazille visited this area to paint in the late 1860's and the early 1870's. Signature: Signed lower left Dimensions: Framed: 23"x25.5" Unframed: 13.5"x16" Provenance: Galerie Commeter - Hamburg c. 1920 French exhibition customs stamps verso His mother has been incorrectly identified as the writer Claude Vignon...

Wonderful figures in night landscape oil on canvas circa 1904 by French impressionist painter and illustrator Andre Devambez. The piece depicts demonstr...

A wonderful pointillist oil on canvas by French post-impressionist painter Jacques Martin-Ferrieres. The piece depicts people visiting a bustling fair - Salon des arts ménagers (Hous...

Signed realist oil on canvas seascape circa 1900 by French painter Georges Philibert Charles Maroniez. This stunning painting depicts two fishermen looking out over the harbour at Le...

Impressionist oil on canvas seascape painting circa 1895 by French artist Maxime Maufra. This stunning work depicts a sailing boat on a vast ocean. The choppy water is painted in greens and blues. The white clouds rolling across the blue sky are beautifully shaded in purple tones. Signature: Signed lower left and titled on original label verso Dimensions: Framed: 22"x25" Unframed: 15"x18" Provenance: This work is included in the catalogue raisonne of Maxime Maufra under reference 284 Durand-Ruel, Paris (acquired directly from the artist on 5 April 1895) Durand-Ruel Galleries, New York (acquired from the above in 1895) Marlborough Fine Arts, Ltd., London (acquired after 1949) Dr. Renate Davis, London (acquired from the above) Lyon & Turnbull London, 28 November 2013, lot 111 (consigned by the above) Private Collection, New York (acquired from the above sale) Sotheby's New York, 15 November 2017, lot 101 (consigned by the above) Maufra spent several years in England, notably in Liverpool, with his father, who wanted him to become a tradesman. He decided to take up painting instead and returned to France in 1883, attracting the attention of Octave Mirbeau in his very first exhibition, and subsequently being noticed by Frantz Jourdain in 1894 and Fontenais in 1901. In 1886, he successfully exhibited two seascapes at the Salon, following which he visited Brittany in 1890, making the acquaintance of Gauguin and Sérusier in Pont-Aven; he collaborated with them on the decoration of the Pouldu Inn in 1894. He maintained his acquaintance with the Nabis group artists Henry Moret and Gustave Loiseau. He travelled in l'Isère, Belgium, and Algeria (1913), as well as Paris, the Ile de France, Brittany and Normandy. From 1895, the Galerie Durand-Ruel assured the success of his work. Maufra settled in Montmartre for about ten years during which he painted the old quarters of Paris, often around the church of St Séverin. He then turned to Brittany and Normandy for inspiration in keeping with a resolve to paint only from nature, his seascapes in particular finding favour. The influence of the Nabis on his work remains limited except in the 'synthetic' organisation of the composition. He was an admirer of Sisley and Pissarro, whose influence can be seen in his paintings. Maufra, like Valtat, went to some extent beyond Impressionism to become a forerunner of Fauvism in his use of colour. An important retrospective exhibition of Maufra's work, prefaced by René Domergue, was organised in Paris around 1950. In 2001, his work was represented in the exhibition Painters and the Sarthe Region ( Les Peintres et la Sarthe) held at the Musée de la Reine Bérengère (for the 19th century) and the Abbaye de l'Épau (for the 20th century) at Le Mans. In 2003, his work appeared in the group exhibition Brittany, Land of Painters ( Bretagne, Terre des Peintres) at the Musée des Beaux-Arts in Vannes. Museum and Gallery Holdings: Bergues: Seascapes Boston: Dusk in Douarnenez; Departure of Fishing Boats Buffalo: Transport Quittant Le Havre Chicago: Douarnenez the Town of Light Cholet: Flood Cincinnati (AM): The Coast, Bay of Douarnenez (Vue de Douarnenez) (painting) Helsinki: St-Guénolé Le Havre: Moonrise in Brittany Manchester: Springtime in Lavardin Montpellier: Hills of Morgat Mulhouse: Low Tide Nantes (MBA): La Prairie d'Amont (1888, oil on canvas); Pointe du Raz; Heavy Swell; The Loir Dam in Poncé (oil on canvas) Paris (Mus. d'Orsay): Brittany Landscape...

Waiting by Jozef Israëls (1824-1911) Oil on canvas 95.3 x 133.9 cm (37 ½ x 52 ¾ inches) Signed lower left, Jozef Israels A monumental painting by one of...

One of early of the French artist’s works by Emile Godchaux (fra.: Émile Godchaux, 1860 - 1938), late 19th century. This amazing landscape takes us to a cloudy spring day, making us ...

Walking in the Woods French School, late 19th century signed Maurice Bernard signed oil on canvas, framed framed: 24 x 28 inches canvas: 21 x 26 inches provenance: private collection...

Narcisse Diaz de la Peña (1807–1876) was a French painter associated with the Barbizon School, a group of artists who focused on naturalistic landscape painting. He was born on Augus...

Oil on canvas glued to board. Oil measures 25x40 cm. Frameless. Illegible signature.

Alexandre-Gabriel Decamps (March 3, 1803 – August 22, 1860) was a French painter and lithographer known for his contributions to the Orientalist movement and his distinctive style th...